UPDATED: Dr. Fauci Likely Broke US Regulations and US Law When He Funded Wuhan Lab to Continue Coronavirus Projects That Were Banned in US in 2014

Source: The Gateway Pundit

A month ago we reported that Chinese Doctor Shi Zhengli was part of a team working on a coronavirus project jointly with US doctors in 2014 before it was shut down by the DHS for being too risky.
After the US research project was shut down, Dr. Shi continued her coronavirus research in Wuhan, China.

Doctor Shi Zhengli from China was part of a team, including Doctor Ralph S. Baric from North Carolina, that published an article in a 2015 edition of Nature Medicine.

TRENDING: Shelley Luther Sentenced to Seven Days in Jail for Opening Dallas Hair Salon During Coronavirus Lockdown

In the article they discussed bat coronaviruses that showed potential for human emergence. The article was published in 2015.

 

This report was published shortly after their project was defunded by the US Department of Health and Human Services (HHS).

The HHS in 2014 sent a letter to the University of North Carolina at Chapel Hill where they announced they were going to defund the program.

Dr. Ralph S. Baric was identified in the letter.

After the work stopped in the US, the Chinese moved forward with the project and ran research and development in Wuhan at the Wuhan Virology Center. From Shi Zhengli’s papers and resume, it is clear that they successfully isolated the coronavirus in the lab and were actively experimenting with species to species transmission.

It’s also important to note that back in 2017 we had solid intelligence about a viral leak in a high security Chinese virology R&D center that resulted in the SARS virus getting out and killing people.

This information provides a basis that contradicts the theory that COVID-19 is a variant that just magically mutated in a bat in the wild and then jumped to a human when they ate a delicious bowl of bat soup.

We then reported that the Wuhan Institute of Virology in Wuhan, Hubei Province in China was hiring individuals for an ecological study of bat migration and virus transmission in November of 2019.

We now know from Dr. Shi’s resume and papers that she was still working on the coronavirus at that time.
Via Yaacov Apelbaum.

Now we can report that the leader of the US task force overseeing the country’s response to the China coronavirus, Dr. Tony Fauci, was the one who funded the Wuhan bat virus work and kept it going.

If these research projects were banned in the US was it legal and appropriate for Dr. Fauci and NIAID to use taxpayer dollars to continue to fund the research in Wuhan, China?

Was Dr. Fauci ever going to explain his conflict of interest?

Did Dr. Fauci skirt US law to fund these dangerous projects in China?

Should the man in charge of the flawed US policy to treat and contain the China virus be trusted when he has not been upfront with his connections to the Wuhan research projects?

The Times of Israel reported:

Back in October 2014, the US government had placed a federal moratorium on gain-of-function (GOF) research—altering natural pathogens to make them more deadly and infectious–as a result of rising fears about a possible pandemic caused by accidental or deliberate release of these genetically engineered monster germs.

This was in part due to lab accidents at the US Centers for Disease Control and Prevention (CDC) in July 2014 that raised questions about biosafety at US high-containment labs…

…A CDC internal report described how scientists failed to follow proper procedures to ensure samples were inactivated before they left the lab, and also found “multiple other problems” with operating procedures in the anthrax lab.

As such in October 2014, due to public health concerns the US government banned all federal funding on efforts to weaponize three viruses—influenza, Middle East respiratory syndrome (MERS), and severe acute respiratory syndrome (SARS).

In the face of a moratorium in the US, Dr. Anthony Fauci–director of the National Institute of Allergy and Infectious Disease (NIAID) and currently the leading doctor in the US Coronavirus Task Force–outsourced in 2015 the GOF research to China’s Wuhan lab and licensed the lab to continue receiving federal funding.

The Wuhan lab is now at the center of scrutiny for possibly releasing theSARS-CoV-2 coronavirus and causing the global Covid-19 pandemic.

What more does Dr. Fauci have in his past that he has not revealed to the American public?

Ned Nikolov, Ph.D.@NikolovScience

A well-sourced article detailing the ILLEGAL outsourcing of $3.7 M of US taxpayers funds by Fauci’s NIAID to the Wuhan Institute of Virology to conduct gain-of-function (GOF) research on weaponizing coronaviruses, which likely led to the pandemic: https://blogs.timesofisrael.com/why-us-outsourced-bat-virus-research-to-wuhan/ 

Why US outsourced bat virus research to Wuhan

From the blog of Christina Lin at The Times of Israel

blogs.timesofisrael.com

The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture

Source: The Vigilant Citizen

Fritz Lang’s 1927 movie “Metropolis” is one of those timeless classics that withstand the test of time. Rather than becoming forgotten and obsolete, “Metropolis” is increasingly relevant as many of its predictions are becoming reality. We will look at the underlying occult message of the film and the usage of its imagery in the acts of pop stars such as Lady Gaga, Madonna, Beyonce, Kylie Minogue and others.

Metropolis is a silent science-fiction movie released in 1927 by Fritz Lang, a master of German Expressionism. Set in a futuristic dystopia divided into two distinct and separate classes—the thinkers and the workers—Metropolis describes the struggles between the two opposite entities. Knowing that it was produced in 1927, viewing this movie today is quite an experience as many “sci-fi” aspects of the plot are eerily close to reality. Metropolis describes a society where the “New World Order” has already taken been implemented and a select elite live in luxury while a dehumanized mass work and live in a highly monitored hell.

As we have seen in previous articles on The Vigilant CitizenMetropolis is excessively echoed in popular culture, especially in the music business. Whether it be in music videos or photo shoots, pop stars are often portrayed as the character Maria, an android programmed to corrupt the morals of the workers and to incite a revolt, giving the elite an excuse to use violent repression. Are pop stars used by the elite in the same matter, to corrode the morals of the masses?

Movie Analysis

The Workers

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The movie opens by showing the workers and their city, situated deep below the earth’s surface. They are shown dressed alike, walking in sync, holding their heads down in submission, resignation, and desperation. Throughout the movie, the human cattle is depicted as being physically and mentally exhausted, highly impressionable and, let’s say it, all-around dumb. Like a flock of sheep, the workers move in crowds, are very impressionable and can easily be deceived. This description of the masses corroborates those of Walter Lippmann, an American thinker who, five years earlier in Public Opinioncompared the general public to a “bewildered herd” that is not qualified to manage its own destiny. Joseph Goebbels, the head of propaganda of the N–i regime, was also in accord with the movie’s conception of the general public. Hitler famously said “How fortunate for leaders that men do not think”.

The workers labor in a monstrous machine, a hellish industrial complex where they must accomplish repetitive and dehumanizing tasks. At one point, the machine is compared to Moloch, the ancient Semitic deity honored by human sacrifices.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The tasks assumed by the workers are purely mechanical, needing absolutely no brain power, making them nothing more than an extension of the machine.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Thinkers

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

If the workers live in a hellish underground dystopia, the thinkers conversely evolve into a gleaming utopia, a magnificent testimony of human achievement. This shiny city could not, however, be sustained without the existence of the Machine (Moloch) and its herds of workers. On the other hand, the Machine would not exist without the need to sustain a city. We find here a dualistic relation where two opposite entities exist in mutual dependence, a concept that has deep occult resonance.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Joh Fredersen, the Demi-God

The city was founded, built and is run by the autocratic Joh Fredersen. As the creator and only ruler of Metropolis, Fredersen is likened to the Gnostic demiurge, a demi-god who is creator and ruler of the material world.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Joh’s son, named Freder, who, like all sons of managers, was enjoying a life of luxury, discovers the harsh reality of the workers of down under. Wanting to experience the worker’s reality first-hand, Freder descends to the lower level and trades places with a worker. Freder, therefore, becomes a Christ-like figure, a savior who descends from above. He also becomes enamored with Maria, a saintly young woman from the proletariat.

Maria

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Maria is a charismatic woman that is highly admired by her fellow workers. Understanding their suffering and despair, and knowing that a revolt is brewing, Maria preaches peace and patience, prophesying the coming of a “mediator”, who would become the “heart between the head (the thinkers) and the hand (the workers)

At one point, Maria tells the story of the tower of Babel, upon which would be written:

“Great is the world and its Creator! And great is Man!”

This statement has a deep resonance in Mystery Schools as it is taught that men have the potential to become gods through enlightenment. Throughout the ages, monuments and architecture were used to communicate the principles of the Mysteries and to celebrate the greatness of the human mind. Partially for those reasons, there are numerous links between Freemasonry and the Tower of Babel.

“As regards to Masonry, Babel of course represented a Masonic enterprise and early expositors reaped full benefit from the facts. They remembered that the people, who were of ‘one language and one speech’ journeyed from the East to the West, like those who have been tried and proved as Master Masons. When they reached an abiding place in the land Shinar, it is affirmed that they dwelt therein as Noachide, being the first characteristic name of Masons. It was here that they built their high tower of confusion. Out of evil comes good, however, and the confusion of tongues gave rise to ‘the ancient practice of Masons conversing without the use of speech.’”
-Arthur Edward Waite, A New Encyclopedia of Freemasonry and of Cognate Instituted Mysteries: Their Rites, Literature and History, Volume I

“In several early Masonic manuscripts – for example, the Harleian, Sloane, Lansdowne, and Edinburgh-Kilwinning – it is stated that the craft of initiated builders existed before the Deluge, and that its members were employed in the building of the Tower of Babel.”
– Manly P. Hall, The Secret Teachings of All Ages

“… at the making of the Tower of Babel there was Masonry first much esteemed of, and Nimrod was a Mason himself and loved well Masons.”
– John T Lawrence, The Perfect Ashlar

However, says Maria, “one man’s hymns of praise became the other man’s curse”. In other words, the monument praising the greatness of the human spirit was built with the blood and sweat of workers who knew nothing of the Thinker’s grand vision. And, in the film, the same thing is happening all over again. The name of the demi-god Joh Fredersen’s headquarters? Of course … The New Tower of Babel.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Rotwang

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Upon learning that the workers are planning an uprising, Joh Federsen seeks the advice of Rotwang, an inventor, and mad scientist. Although his work utilizes the latest of technologies, many clues within the movie indicate that he also taps into ancient occult knowledge to create his inventions. He is said to live in “a small house overlooked by the centuries,” symbolically meaning that the scientist’s arcana descended from ancient occult traditions; the basement of his house has a secret trap door leading to 2,000-year-old catacombs, further alluding to the ancient and mysterious sources of Rotwang. Furthermore, the front door of his house bears a pentagram, which refers to the Pythagoreans, occultism, and Freemasonry.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

If we were to do real-life comparisons, Rotwang is to Joh Fredersen what John Dee was to Queen Elizabeth I: an esteemed advisor immersed in the worlds of science, magic, astrology and Hermetic philosophy. If Fredersen represents our world’s rulers, Rotwang is the occult pendant of decision-making, the mystical entity that is hidden from the public but always historically present.

The inventor proudly presents to Fredersen his latest invention, the Machine-Man, which he considers to be the “Man of the Future”. The android has the faculty of taking the form of any person and, says Rotwang, “no one will be able to tell a Machine Man from a mortal!”. The transhumanist dream was already present back in the early 1920s.

Fredersen then tells Rotwang to give the Machine-Man the likeness of Maria in order to use her credibility and charisma to spread corruption among the workers.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

So what do today’s pop stars have in common with this android, programmed by the rulers, with a mix of science and occultism? Well … everything.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Lady Gaga in Dave Lachapelle photo shoot that is heavily inspired by Metropolis.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Back to the movie. The android completed, Rotwang tells it:

“I want you to visit those in the depths, in order to destroy the work of the woman in whose image you were created!”

Robot-maria responds:

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Maria android is then sent to Yoshiwara, a man’s club, where she performs erotic dances. In one of her acts, she is portrayed as Babylon, the Great Harlot of the Apocalypse.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Do this scene remind you of a classic music video?

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The programmed Maria performs mesmerizing dances in front of an avid public, causing men to fight, to lust, to be jealous and to commit the rest of the deadly sins. When she’s with her fellow workers,  Maria acts as an “agent-provocateur”, inciting the working men to riot and giving Joh Fredersen reason to use force against them. She is basically acting against the best interest of the public and for the interest of the elite.

With the help of their foreman (because they can’t really think for themselves), the workers ultimately realize that they have been misled by the android. Believing that she’s a witch, they find robot-Maria and burn her at the stake.

The movie finishes with this caption:

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

Which is kind of reminiscent of this music video’s ending:

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture

The Moral of the Story

The moral of the story of Metropolis is not “let’s abolish all inequities and rebuild a world where everyone is equal” and it is certainly not “let’s be democratic and vote for who we want as a ruler.” It is more “let’s send the workers back to the depths where they belong, but with the addition of a mediator, who will be the link between the workers and the thinkers”. So, when all is said and done, the movie is intrinsically “elitist,” as it still calls for the existence of an elite group of people holding most of the resources and managing a working class. In the end, the workers – and Freder – were duped, believing that their conditions would change. In fact, the status-quo remained and Joh even got his naive son to give the elite a friendly image while reporting everything happening in the depths, resulting in tighter surveillance and control.

Who is the Freder of today’s working class? The media. Media is the mediator. That is its function.

The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture